Artistic Vision

Movement, for Flynn, is not a fixed language but a responsive system that evolves according to the environment it occupies. His practice considers how architecture, atmosphere, and objects can influence the way the body thinks and behaves. These interactions between the animate and the inanimate form the basis of his choreographic research, where lighting, sound, and clothing are treated not as decorative elements but as co-performers that extend the body’s image and affective reach.

Flynn’s developing movement language is driven by the notion of the body as provocation — a site that shifts between states of control and surrender, precision and release. This oscillation between performative identities allows for a multiplicity of readings and resists singular interpretation. His interest in the architecture of the body and the purity of composition guides his exploration into form, rhythm, and visual tension, revealing a curiosity about how structure and spontaneity coexist within performance.

Collaboration remains central to his process. Flynn thrives in collective creative environments where authorship is fluid, and ideas are exchanged through embodied dialogue. He sees collaboration as a space for mutual learning — one that cultivates vulnerability, humour, and experimentation.

Through his works, Flynn aims to provoke and entice. He seeks to create performance experiences that are simultaneously challenging and mesmerising — encounters that invite audiences to re-evaluate their perception of the everyday and the extraordinary. By shifting attention toward the nuances of human behaviour and the relational dynamics between bodies, Flynn’s practice continues to evolve as a pursuit of connection, curiosity, and transformation.